Prepared Guitar
Since the 1940’s and John Cage, Prepared Piano has become the most common means by which to expand the sound of this classic instrument.
With Harmonik Mutes™ & SpiderCapo together, we can prepare our guitar in any number of ways to expand its’ sound palette. I call this Prepared Guitar.
The picture is an example . The 6th & 5th strings are capoed at the 8th fret.
The 3rd & 4th are not changed. The 2nd & 1st are muted at the 7th fret natural harmonic.
The plucked strings will make the sounds, from 6th to 1st string:
C, F, D, G, F# Up 1 Octave, B Up 1 Octave.
The palette is expanded by:
-Playing in front OR behind the “harmoniked” 1st & 2nd strings.
-Flip the FINGERS of the 6th & 5th strings.
For me, this preparation opens many new sound paths.
Try your own! You can always capo 1 fret above ANY natural harmonic, as I have done here at the 7th fret harmonic.
Kudos to Martin Blanes for first discovering this technique.  Enjoy!

Prepared Guitar

Since the 1940’s and John Cage, Prepared Piano has become the most common means by which to expand the sound of this classic instrument.

With Harmonik Mutes™ & SpiderCapo together, we can prepare our guitar in any number of ways to expand its’ sound palette. I call this Prepared Guitar.

The picture is an example . The 6th & 5th strings are capoed at the 8th fret.

The 3rd & 4th are not changed. The 2nd & 1st are muted at the 7th fret natural harmonic.

The plucked strings will make the sounds, from 6th to 1st string:

C, F, D, G, F# Up 1 Octave, B Up 1 Octave.

The palette is expanded by:

-Playing in front OR behind the “harmoniked” 1st & 2nd strings.

-Flip the FINGERS of the 6th & 5th strings.

For me, this preparation opens many new sound paths.

Try your own! You can always capo 1 fret above ANY natural harmonic, as I have done here at the 7th fret harmonic.

Kudos to Martin Blanes for first discovering this technique.  Enjoy!